This condenser microphone is renowned in recording studios and live applications around the world as an exceptional mic. State-of-the-art components have been carefully selected to provide optimal neutrality, accuracy and extremely low distortion.
The principal appeal of the d:dicate™ 4011 Cardioid Mic is its directional quality and attention to detail. This mic makes everything sound like the original. The first-order cardioid pickup pattern provides superb separation between sound sources. It is equally suitable for close-up work on acoustic guitar, grand piano, overheads, percussion, wind instruments and vocals as it is for spot-miking symphonies. It can handle incredibly high sound pressure levels (SPLs).
A flat on-axis frequency response and excellent phase response deliver a faithful reproduction of the original sound. The off-axis response is similarly smooth so that any leakage is an accurate reflection of the original, though attenuated according to the true first-order cardioid pickup pattern.
d:dicate™ 4011C Compact Cardioid Mic
When used to spot-mike larger orchestras, these mics are hard to beat. Capable of handling high SPLs without distortion, the mic is perfectly tailored for close-miking applications; minimizing bleed from other instruments. In film and TV studios, they are excellent for off-camera voice recording or Foley work. For live on-camera recordings, their matte black finish gives them a classic yet inconspicuous appearance, while for sound reinforcement in concert halls, theatres and houses of worship, they provide clean, natural sound while reducing the noticeable effect of lighting reflection.
- Ultra-compact spot or hanging mic
- Close-miking
- Great for high sound pressure levels
- Accurate sound
- Colorless sound
- Modular flexibility
| Directional pattern | Cardioid | Principle of operation | Pressure gradient |
|---|---|---|---|
| Cartridge type | Pre-polarized condenser | Frequency range | 20 Hz - 20 kHz |
| Frequency range, ±2 dB, at 30 cm (11.8 in) | 40 Hz - 20 kHz | Sensitivity, nominal, ±2 dB at 1 kHz | 10 mV/Pa; -40 dB re. 1 V/Pa |
| Equivalent noise level, A-weighted | Typ. 18 dB(A) re. 20 µPa (max. 20 dB(A)) | Equivalent noise level, ITU-R BS.468-4 | Typ. 25 dB |
| S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) | Typ. 76 dB(A) | Total harmonic distortion (THD) | < 1% up to 139 dB SPL peak |
| Dynamic range | Typ. 121 dB | Max. SPL, peak before clipping | 152 dB |
| Output impedance | 100 Ω | Minimum load impedance | 2 kΩ |
| Cable drive capability | 100 m (328 ft) | Output balance principle | Impedance balancing with Active Drive |
| Common mode rejection ratio (CMRR) | > 50 dB | Power supply (for full performance) | 48 V Phantom power (± 4 V) |
| Current consumption | 2.8 mA | Connector | XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase |
| Color | Matte black | Weight | 58 g (2 oz) |
| Microphone diameter | 19 mm (0.75 in) | Capsule diameter | 19 mm (0.75 in) |
| Microphone length | 64 mm (2.5 in) | Maximum output voltage, RMS | > 4 V |
| Polarity | +V at pin 2 for positive sound pressure | Temperature range | -40°C to 45°C (-40°F to 113°F) |
| Relative humidity (RH) | Up to 90% | Matching tolerance (frequency response and sensitivity) | ±1 dB |
| Phase deviation for kit | < 10° |
